Salome receives the Head of John the Baptist; Bernardino LUINI; c. 1527; oil on canvas; Musée du Louvre, Paris.
The Beheading of St John the Baptist; Hans MEMLING; 1474-79; oil on oak panel; St John Altarpiece; Memlingmuseum, St John’s Hospital, Brugge, Belgium
Salome and the execution of John the Baptist
To understand
What you can see in this picture……
Salome is a pretty girl; her face is serene and calm.
She has just been given the head of John the Baptist on a tray or platter, that is to say without her doing anything. Be attentive to the image above: the arm that can be seen is not Salome’s but that of the man who places the head on the tray.
Salome, the girl’s name, does not appear in the Gospel but is given by the Jewish historian Flavius Joseph. She is the daughter of the first marriage of Herodias and Philip, King Herod’s brother; she is then at the same time the king’s niece and his daughter-in-law.
John the Baptist has been beheaded at Salome’s demand but at the advice of her mother Herodias after she has charmed King Herod with her dance. So Salome brings the tray to her mother and she can hold the head by the hair to present it to her. The scene is seldom gory for the dead man’s face also expresses serenity, that of the just man.
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The Beheading of St John the Baptist; Hans MEMLING; 1474-79; oil on oak panel; St John Altarpiece; Memlingmuseum, St John’s Hospital, Brugge, Belgium
..and in this one
The execution or “decollation” of John Baptist is the centre of the narrative. The executioner beheads him with a sword or an axe right on the ground, in a more or less realistic manner. Then he seizes the head and places it on a platter that he hands out to Salome who is attending the scene.
The banquet is sometimes represented in the background. King Herod celebrates his birthday with his new wife Herodias and the members of his court. He wears a crown or a Jewish cap, his clothing and the scenery are more or less sumptuous. They are waiting for John the Baptist’s death. Salome’s dance is sometimes integrated into the scene or treated separately, the movement is suggested by the veils whose number, fixed by the legend, is seven.
Salome brings the platter with John’s head into the banqueting hall. This scene is to be compared to the one where Judith holds Holofernes’ head (See Judith). Herod and Herodias cover their eyes in disgust or Herodias, more depraved, pierces John’s tongue with a needle to manifest her hatred for his words.
The head of John the Baptist can also be represented by itself on a tray. It is a common motif, the emblem of brotherhoods of mercy.